It definitely has. After the success of the first Croods there was immediately talk of doing it again, so I guess in that respect it’s not much of a surprise for people to see it happening, but since that first movie I’ve discovered fatherhood and it’s true to say your interpretation of everything in the world changes. You’re much more aware of your responsibility to the world around you. You’re thinking less about yourself and more about your family and what makes them happy. Your happiness is connected to the enjoyment you have being part of their lives.
Sure. I kind of disconnected from how I was thinking and learned to live in the present. In my 20s I was trying to grow up in a hurry because I thought I had lived a too quiet and boring life when I was younger. But in the process of having fun and being kind of wild for a while, I kind of lost something about who I was. I’ve always kind of bounced around.
So I needed to take a few steps back and disconnect from that and learn to appreciate everything the way I did when I was younger kid and become a more open and interesting person.
I want my daughters to grow up in a world where they won’t have to struggle to breathe clean air, where they won’t have to deal with a warmer climate and all the terrible implications that has for our planet.
Those kinds of concerns terrify me. I want them to enjoy a world similar to the one in which I lived. I spent a lot of time growing up in nature and getting to experience the natural beauty we have in British Columbia and the rivers, lakes, mountains and forests. That time of my life gave me an incredible sense of freedom and I want to be able to do whatever I can to help make sure that my children will grow up in that kind of a world.
Why has Deadpool meant so much to you?
I love everything about it, about him. I never would have stuck with it for so long if I didn’t believe so much in his power and abilities and that common bond between us. He’s the best role I’ve ever played.
We wrote a script six or seven years before it finally got accepted—it was the best incarnation of the character that could ever have been created and the studio, they liked it but it was like they were locked in complete inaction. They were fiercely protective of the character so nothing happened. I don’t know, I’m still not sure why it took so long.
I remember when I was going up for Green Lantern, I remember saying to them, “Look, if I get this, you know, this is it, I probably won’t be able to be involved in Deadpool.” I thought I’d never get another opportunity; this is the last chance. And still, that did nothing.
And then we shot this test footage to see if we could get momentum going again. That was only meant for in-house, it was only meant to be seen by the eyes that needed to see it, for the executives at Fox. And they loved it, but nothing happened.
Then it leaked, and overnight, it just blew up. And that’s the reason the film got made. The reaction from Comic Con, Twitter and Facebook, that is the only reason it got made. Within a month of all that, the studio finally said to us, “Go ahead, make your movie,” and that was that. Finally, the good fight we’d been fighting for so long was all worth it.
I don’t have a specific way of doing things and boy, I wish I was cleverer about it because there have been a lot of ups and downs [laughs].
You can gauge these things. I was very proud of the film, I still am. Would I do anything differently? Absolutely not. I feel that had it gone a different way, it might have offered opportunities from another direction or potentially, I could have been sort of typecast as that character, I don’t know. I’m really glad I did it, I got to learn so much about the process of creating a project of that scale, and preparing for something like that.
Like with Green Lantern, you must have prepared really hard for Deadpool to get into shape?
For me, it’s functional because I don’t want to hurt myself falling on cement so I have to do it. It’s not a case of, and I often read, “I just feel so much better for it, I feel great in this shape,” and you know, that’s crap. It’s painful being in that shape, it’s physically painful. I always laugh when I hear some actors say, “I put on 40 pounds of muscle for this role.” That is not possible, your body cannot carry that much muscle. If you put on maybe seven, eight pounds, you’re huge. That’s a lot. That’s all you need.
I’m the youngest of four boys so I was never going to win with my fists, I had to win with something else. And for me, I discovered very early on that [something] was mouthing off. It worked for me, and it helped me out in high school, it got me out of fights.
Was high school a particularly rough time?
No, not like you’re thinking. It was high school; it was no rougher than most kids have it. I survived, and that’s often the best outcome from it.
I think it’s the reality that it’s really hard to escape your identity when you’re working in film. When you’re up on the big screen, you’re really larger than life and even if you change your hair or grow a beard or wear glasses, your identity remains a part of you, at least in terms of how the audience perceives you. There’s still this general image of you and you want to be able to expand that awareness that the public has and make audiences feel comfortable seeing you outside of those roles that established your persona.
You and Blake have been pretty successful in keeping your daughters out of the spotlight, is it something you have to work hard at?
It’s simple a case of two worlds, one is work, the other is home and I never want the two of them to mix because who wants their work mixing with their home. Most of us like that divide and I am no different.
I’ve been in Hollywood for 25 years. When I say in it, I mean working in it and I’ve seen so many make the mistake of allowing their lives, their home lives to become intertwined and consumed almost and, you know, life is hard enough without that kind of spotlight.
And people don’t necessarily care, we’re not of that caliber of, you know, “buzz.”
How would you feel if your daughters followed mom and dad into the business?
I’m not sure to be honest, but it’s their decisions. I don’t know if I would be actively encouraging them to become showbiz kids because showbiz kids are monsters, I think we all know that [laughs].
also gives me an excuse to do a terrible Australian accent.
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Published and copyrighted in South Jersey Magazine, Volume 17, Issue 8 (November 2020).
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